Comparative Cultural Studies and Michael Ondaatje's Writing

Introduction to Comparative Cultural Studies and Michael Ondaatje’s Writing, by Steven Tötösy de Zepetnek
Exploring Transnational Identities in Ondaatje’s Anil’s Ghost, by Victoria Cook
Ondaatje’s The English Patient and Altered States of Narrative, by Beverley Curran
Representations of Buddhism in Ondaatje’s Anil’s Ghost, by Marlene Goldman
Ondaatje’s The English Patient and Rewriting History, by Stephanie M. Hilger
Post-Nationalism and the Cinematic Apparatus in Minghella’s Adaptation of Ondaatje’s The English Patient, by Hsuan Hsu
The Representation of “Race” in Ondaatje’s In the Skin of a Lion, by Glen Lowry
The Motif of the Collector and Implications of Historical Appropriation in Ondaatje’s Novels, by Jon Saklofske
Touching the Language of Citizenship in Ondaatje’s Anil’s Ghost, by Sandeep Sanghera
Oral History and the Writing of the Other in Ondaatje’s In the Skin of a Lion, by Winfried Siemerling
Reading Ondaatje’s Poetry, by Eluned Summers-Bremner
Ondaatje’s The English Patient and Questions of History, by Steven Tötösy de Zepetnek
Selected Bibliography of Critical Work about Michael Ondaatje’s Texts, by Steven Tötösy de Zepetnek
A List of Michael Ondaatje’s Works
Bioprofiles of Contributors
Index